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I trained as a lyric singer at the Royal Conservatory of Music in Brussels, under the guidance of Marcel Vanaud and Marianne Pousseur, and at the Flanders Operastudio in Gent, where I had the opportunity to work with directors such as Vincent Boussard, Frédéric Dussenne, and Vincent Van Den Elshout. With a strong interest in stage direction, I became involved at the Operastudio as an assistant director for Alcina, as part of additional training right after my graduation.

Afterward, I began performing and recording early music with ensembles such as the Chœur de Chambre de Namur, Scherzi Musicali, and Vox Luminis, while also teaching singing and directing. I continued to train my voice with Eunice Arias, Ismini Giannakis, Matteo Carminati, and Catrin Wyn Davies, and refined my acting skills with Caroline Petrick.

With a medium-high voice, my passion for poetry and languages led me to explore the repertoire of songs and chamber music more deeply, particularly German Lieder and French songs, as well as songs in English, Italian, Spanish, and Portuguese. I also draw significant inspiration from jazz, folk, and traditional music.

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In addition to my musical pursuits, I am involved in movement and dancing, as well as writing poetry, fragments, and short texts.

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